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. English. GermanBudget$75-90 millionBox office$200.3 millionValkyrie is a 2008 directed and co-produced by and written by and Nathan Alexander.

The film is set in during and depicts the in 1944 by German army officers to assassinate and to use the national emergency plan to of the country. The film was released by American studio and stars as Colonel, one of the key plotters. The cast included, and.Cruise's casting caused controversy among German politicians and members of the von Stauffenberg family due to the actor's practice of, which is viewed with. Because of this, the filmmakers initially had difficulty setting up filming locations in Germany, but they were later given access to film in locations, including Berlin's historic. German newspapers and filmmakers supported the film and its intention to spread global awareness of von Stauffenberg's plot.The film changed release dates several times, from as early as June 27, 2008, to as late as February 14, 2009. The changing calendar and poor response to United Artists' initial marketing campaign drew criticism about the studio's viability. After a positive test screening, Valkyrie 's release in North America was ultimately changed to December 25, 2008.

United Artists renewed its marketing campaign to reduce its focus on Cruise and to highlight Singer's credentials. The film received mixed reviews in the United States and in Germany, where it opened commercially on January 22, 2009. Bendlerblock, where the conspirators were executed in real life, was originally denied as a filming location for Valkyriehad originally denied the producers the right to film at Bendlerblock, explaining that the site should be treated as a 'place of remembrance and mourning' which would 'lose dignity if we were to exploit it as a film set'. The producers were also denied a request to film at a Berlin police station by the department, citing adverse impact to the facility. The German government eventually had a change of heart concerning the Bendlerblock site and gave permission for filmmakers to film there. A United Artists spokesman said that they were 'very grateful' for the decision, saying that the site 'had always been important to us symbolically, creatively and for the sake of historical authenticity' and that the company had been in continuous talks with the German government in order to clear up any misconceptions about the nature of the film.

The also helped filmmakers by permitting them access to their materials and documents. German military pageantry was shaped by referring to the recorded material and input from military advisers.

Writing McQuarrie and Alexander researched first-hand accounts, photos, newsreels and texts. They also examined and records, as the organizations had been meticulous in reconstructing the events of the conspiracy in its aftermath. A timeline of events was created, from which McQuarrie and Alexander shaped the script.

After production began in Berlin, the writers were able to visit locations and meet with relatives of the conspirators; these meetings informed changes made to the script during filming.The initial scenes of von Stauffenberg in were written to provide historical context to the rest of the film. The scenes were written with the intention of communicating the complexity of the situation—including references to the —without being too obvious. The writers also wanted to evoke the spirit of the resistance and convey the ongoing disgust of the German officers.

McQuarrie and Alexander found the most difficult task was in conveying the motives of the conspirators; von Stauffenberg especially remained an enigma, though the writers believed he and the other resistance members to be propelled by their moral outrage. McQuarrie and Alexander attempted to include a scene of von Stauffenberg's witnessing an atrocity, but because he was a supply officer he had little exposure to many of those that occurred. Though he witnessed some—such as the starvation of the —they believed it difficult to dramatize von Stauffenberg's being compelled to action by 'field reports'. They also had difficulties with Hitler's portrayal; in researching, they struggled to find one in which he made overtly villainous statements. Filming Filming began on July 18, 2007, in.

Production of Valkyrie was then estimated to have a budget of US$80 million, with two-thirds to be spent in Germany. The issued 4.8 million (US6.64 million) to United Artists to assist with production. The filmmakers received permission to film at 's, a former Nazi jail for political prisoners. Production also involved World War II planes with painted on the sides, practicing in the airspace above. Around 70 sets were built for the film. The filmmakers also shot on location at the former and the exterior of the house at which von Stauffenberg stayed with his brother.A replica set of Hitler's Eastern Front Headquarters was constructed 60 kilometers south of Berlin, though the headquarters' actual location was in modern-day. It took twelve weeks to build.

Filming also took place in some of the houses that were used to hide the bombs in 1944. The interior of Hitler's residence was also replicated using film shot by Hitler's consort and designing models of furniture possessed by secretive collectors. The production also made use of surviving Nazi relics, including furniture used by the and objects that once adorned Hitler's desk., the display of which is heavily restricted in Germany, were also used at several locations, and while the filmmakers gave forewarnings to local residents, a passerby witnessing the use of during filming in Berlin filed an official complaint with the city. Similar charges have also been filed against the owners of sites set up to show Nazi displays for the film's production. Filming also took place at. During filming on August 19, 2007, eleven people were hurt when the side panel of a truck they were riding broke, with one person requiring hospitalization. They demanded $11 million in compensation, rejecting a settlement offered by the studio.Before filming the scene of von Stauffenberg's execution at Bendlerblock, Tom Cruise led the cast and crew in holding a, 'out of respect for the place and out of respect for the life achievement of these people who were executed there', according to actor.

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After filming of the scene was completed, the footage was sent to be developed for the post-production process at a processing plant in Germany. The wrong chemical was accidentally used in development, damaging the film and requiring the crew to seek permission from the government to re-shoot the scenes. Permission was granted and a spokesman for the film indicated the schedule and budget had not been affected.Singer and cinematographer chose different styles for the separate halves of the film. Elegant camerawork such as cranes were used as the plot builds to the attempt on Hitler's life, and the second half is frantic with handheld cinematography as the plotters are hunted down. The colors in the film also become more intense as the story continues.

Sigel focused on red, the color of the Nazi flag, which he felt represented the violence of their ideology. Singer looked towards thrillers of the 1940s and home movies shot by Eva Braun for inspiration. Shooting scenes at night was difficult because presenting historical accuracy of the era required. Sigel noted in real life, car headlights were used for the firing squad to aim at and execute the plotters in the Bendlerblock.

Singer chose to shoot in 1:85 aspect ratio, and since filming took place in Germany, the director used cameras with lenses.The battle sequence that opened the film was the last major sequence filmed. The filmmakers wanted to avoid the appearance that von Stauffenberg wanted to kill Hitler because of the injuries he suffered in the battle. They began a rough cut in October 2007, and between then and June 2008, there were several test screenings without the battle sequence. By June 2008, the filmmakers felt that they knew how to adequately frame the characters when filming the battle sequence.

Singer scouted and for locations, but the candidates did not meet the aesthetic and economic criteria. The Cougar Buttes desert in was ultimately chosen to represent Tunisia. Since the production budget was adjusted to provide visual effects to make von Stauffenberg's injuries realistic, not enough was left for solely computer-generated fighter planes.

Singer instead used two in the battle sequence. The budget increased in the course of production due to the filming in Germany, the rebuilding of sets, and lost shooting days, but German tax rebates tempered the growth. The studio reported its final production budget to be $75 million, but competing studios believed it to be closer to $90 million.

Visual effects The film's were created by, who collaborated with Bryan Singer on Superman Returns. The VFX company's two key goals were to accurately portray von Stauffenberg's injuries and to create a 1943 period look to Berlin. With many explosions and stunts seen in the film performed practically, the majority of the 800 computer-generated effects shots were used to portray von Stauffenberg's injuries. A digital version of Cruise's hand was designed, and VFX employees the hand in every movement it could make so the missing fingers were erased in the process.

With many close-ups of von Stauffenberg's hand with missing fingers, the injuries were textured to look like actual scars, particularly based on surgical procedures from 1943. Cruise asked for advice on how to best move his hands so visual effects would be easier to apply, but some challenges, such as von Stauffenberg getting dressed on his own, were inescapable. According to VFX supervisor, 'We know from historical accounts that von Stauffenberg didn't stick his hands in his pockets to try and hide his injuries.'

For the battle sequence in North Africa, two actual Kittyhawks in paint schemes were used, accompanied by cloned images of them or by computer-generated planes. In scenes showing squadrons of soldiers, digital extras were not used; instead, photography of real squadrons was cloned. Sony Pictures Imageworks also digitally expanded details on stage locations and at practical locations. The exterior of Hitler's Bavarian residence Berghof was digitally created, since little was left of the original structure, and the creation was superimposed on a shot of a ski area in. In Berlin itself, city officials helped reduce the need for visual effects by removing power poles and modern lighting over the weekend when filming took place and restoring the equipment by the start of the new week. Editing and scoring As with his previous collaborations with Bryan Singer on, and, editor and composer edited the film without a, noting if the film was working well without music, it was becoming a strong product.

Since Valkyrie drew its inspirations from previous World War II films like (1963), (1968), (1970), and (1976), filmmakers initially had a cut where introduced characters and their roles. When the cut was test screened with an American audience, the title cards were removed due to complaints that there were too many characters to follow.Ottman said the challenge on Valkyrie was to create tension from dialogue scenes, and he often reshaped scenes to do this: moments rather than whole scenes were cut from the film. Being historically accurate meant Ottman was more restricted in reorganizing scenes, but he was able to choose what lines and close-ups he could focus on. Ottman said the scene he was most saddened to delete was a scene where von Stauffenberg dances with his wife because he had been looking forward to scoring it.Ottman originally planned to compose a minimal score to Valkyrie, but found that despite the film's dialogue-heavy nature, the film needed music to create a thriller atmosphere. Ottman described the new approach, 'It's very much like Usual Suspects—in order to keep the tension going in a scene where there's really a lot of dialogue, we had to rely on a lot of score. But the score is done in a very sort of pulsating, subliminal way. It's not an expository score, it's more like a running pulse going through the movie.'

Singer applied an imaginary, 'which only began clicking' when he watched scenes where the pace was becoming faster. He had a specific theme he wanted for the film, which was more modern than ' '-type score he expected Ottman to do. Another challenge in composing thriller music was that the score needed to 'slowly lapse' into the tragedy of the film's ending. The finished score has some and few, but no or, which were the conventions Singer and Ottman avoided.Ottman had to compose music for the North African battle before the scene was shot, because booking space to record film music is difficult. Although he found that composing music based on the script results in overlong pieces, he felt the music worked out fine for the sequence.

The film's end credits piece, 'They'll Remember You', is an original composition, but the lyrics were based on the poem ' by German poet. An end piece entitled 'Long Live Sacred Germany' was inspired by, in the sense it would not feel like film music tailored to every moment in the scene, but still fit with what was going on.

Ottman described the original version of the track as a 'three minute drone that I slowed down with these two, the whole thing was this horribly dark, morbid piece which left you cold'. Ottman composed a metallic motif for Hitler, which was formed by low strings and a piano. German response to production.

Some of the family have spoken out because they don't think it will do the story justice and others don't think the casting is ideal, but I totally disagree, especially after I met Tom and saw how he is approaching the role with such professionalism. I think most of the family are curious to see the finished film.—Philipp von Schulthess, grandson of Colonel von Stauffenberg, September 2007.The film subsequently found local support in Germany. Director saw that Cruise's involvement would promote awareness of a neglected story, and veteran German actor also gave his support to the production.

A grandson of Colonel von Stauffenberg, who appeared in the film as an assistant, hailed Cruise's professionalism and indicated that most of his family were curious to see the finished product. In September 2007, when the Defence Ministry initially denied permission for filming at the memorial, support for the film came in from German newspaper columnists and filmmakers, including director and, journalist and co-publisher of the. Schirrmacher visited the set and agreed that the film would advance global awareness of the German Resistance. Ultimately granting access to the Bendlerblock after reviewing the script, the Defence Ministry said it showed that 'barbarism didn't triumph but led to the founding of a democratic Germany'., who is in charge of a German government office which monitors Scientology, was disappointed in the ministry's decision, saying, 'Tom Cruise is a figurehead of an anti-constitutional organization, and he should be treated that way.' A spokesperson for Scientology in Berlin, Sabine Weber, said in August 2007 that she was 'shocked' by German politicians' criticisms, adding that it was a 'call to discrimination' against someone based on their religious beliefs. In the same month, Cruise suggested to his critics that they see the film before denouncing it. In October 2007, fellow Valkyrie actor said that the issue had been 'largely exaggerated' and that the German official who initially incited the complaints contacted the production one week into filming to apologise, after reading the script and realising he had misinterpreted the film's plot.In November 2007, the head of the warned against any potential 'myth formation' around von Stauffenberg as a result of the film, urging that any understanding of the Colonel must also be informed by the fact that he had been loyal to the Nazi cause for most of his military career.

In the same month Cruise was given a courage award, presented by German media company, 'for tackling a story that had never been covered by Hollywood before'.Klaus Berg of the Hamburg Chronicle noted that '. It is a well-known cliche that American film makers prefer to provide their audiences with a. Here, a viewer with even the most superficial and rudimentary knowledge of the history of the Second World War and of the National Socialist Regime would know from the very outset that a happy ending is out of the question, that all the protagonists' efforts and plans are doomed to end in bitter failure. Knowing this, I was surprised to realize how deeply I was caught up in the tension of the plot, how desperately I was hoping against hope that Cruise and his fellows would after all succeed. No, not for one minute during the entire film did I think about Scientology.' Marketing Valkyrie was intended to be a high-profile film that would jump-start, the host studio partly owned by Tom Cruise and Paula Wagner. Pressure was placed on Valkyrie to do well since an earlier United Artists film featuring Cruise, performed poorly in the box office, and the studio's planned production of 's was canceled.

The film changed release dates multiple times. It was originally slated to be released on August 8, 2008, then moved up earlier to June 27, 2008. The film was then held off to October 3, 2008, to avoid competition from and, and to enable the late filming of the North African battle sequence. The October date was also originally chosen to increase the film's chances of awards success. In April 2008, the release date was pushed back to February 13, 2009, with the studio citing the early fall schedule as too crowded with Academy Award prospects.

Valkyrie would have taken advantage of the lucrative weekend, after and were moved from this date.In July 2008, United Artists president of worldwide marketing Dennis Rice was replaced by Michael Vollman, who was tasked to develop a marketing strategy for the 'troubled' Valkyrie, which had been 'battered by constant media sniping'. Under Vollman, by August 2008, the release date was changed to December 26, 2008, with reports citing commercial reasons for the move after a successful test screening. (The film was ultimately released on Christmas Day, December 25, 2008.) The release date was before the end of December, which 'crucially' helped the film with a home distribution deal with the subscription channel. In the same month of August, Paula Wagner left her position with the studio during the film's post-production. The changing release date for Valkyrie drew criticism about the viability of United Artists, and the studio aimed to combat the criticism leading up to the film's eventual release. In addition, the first theatrical trailer, released early in 2008, received 'mixed buzz' over Tom Cruise's portraying von Stauffenberg with an American accent.

The trade paper described the trailer as 'dour. Like it was selling a talky stage play with a cast of old British actors'. Images of Tom Cruise as Colonel von Stauffenberg that surfaced during filming were widely ridiculed. Terry Press, a marketing consultant with the studio, said that Valkyrie had been wrongly labeled as 'the Tom Cruise eye-patch movie'.As the December release date approached, United Artists launched a campaign to reform public perception of the film, downplaying the role of Tom Cruise as a German war hero and instead pitching Valkyrie as 'a character-driven suspense thriller'. The new campaign also played up the reputation of director Bryan Singer, who had directed the thrillers (1995) and (1998). Terry Press urged foregoing an awards campaign for the film; Cruise agreed with the consultant, while Singer was disappointed about the decision.

Instead, the studio focused on audience appeal in a competitive time frame in late December. A second theatrical trailer and a new poster were unveiled in October 2008 by United Artists to renew Valkyrie's viability with audiences and accolades. The poster was designed to have flashy graphics and to emulate the posters from the war films (1963) and (1967) in having a team as a central visual. The team element was based on market research from the studio's focus groups who indicated that they liked Cruise as 'a character leading a group of people toward solving a problem'.

The new trailer accentuated action, and was widely considered an improvement over the first trailer. An internal MGM memo reported the reception of the trailer by online communities to be 'significantly favorable' compared to the previous trailer. The studio sought two demographic quadrants: males over 35 years old as well as younger males. Since United Artists reported that the film cost $75 million to make and that $60 million was spent on marketing, the studio faced high financial stakes. The film also tested the determination of its distributor and the mettle of Cruise as a superstar. Release Theatrical run Prior to Valkyrie 's December 2008 release, concern was raised about how the film would be received in the holiday season due to its Nazi subject matter, along with related films,. Wrote during the, 'The depressing state of the economy and an alarmingly low level of understanding of the Holocaust among American youth point to a tough road for such serious fare.'

Valkyrie opened on Christmas Day, December 25, 2008, in 2,711 theaters in the United States and Canada. The film grossed an estimated $8.5 million for the opening day. In the four-day holiday weekend, Valkyrie grossed an estimated $30 million, ranking fourth at the box office with $7,942 per theater. Pamela McClintock of Variety cited the weekend performance as 'a victory for United Artists and MGM'; Gitesh Pandya of said the haul represented a 'big hit' for the studio. Studio research revealed that audiences averaged 55% male and 66% over 25. Paul Dergarabedian, president of box-office tracker Media By Numbers, said that the weekend gross 'totally robs the nay-sayers of their ability to deem it a flop', believing that Cruise's comic performance in the previous summer's helped audiences embrace the star again. Dergarabedian also ascribed the better-than-expected performance to the studio's marketing of Valkyrie as a thriller film.

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Since Cruise was collecting a salary of $20 million against 20% of the backend (revenue gathered after the completion of a film) and MGM/UA investment was capped at $60 million, United Artists sold the film to several foreign territories to make money back.The premiere was held at the in on January 20, 2009. Valkyrie commercially opened in over a dozen territories outside the United States and Canada on the weekend of January 23, 2009, including a premiere in Germany on January 22.

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The film ranked first in the international box office, grossing over $13 million. It placed first in Germany, Australia, and the Netherlands and placed second in the United Kingdom, Austria and South Korea.

Valkyrie 's highest-grossing territory was Germany, where it earned $3.7 million from 689 locations, averaging $5,311 per screen. The German opening was considered 'a chart-topping yet unspectacular start', barely edging out, which opened three weeks before. Reported that the premiere of the film has renewed the topic of the among the German populace.The film opened in 13 additional territories on the weekend of January 30, including Russia and Spain.

With 3,600 screenings in 26 markets, the film grossed $18.6 million to maintain its top placement at the international box office for a second weekend in a row. Spain was its highest-grossing territory with $2.8 million, followed by Germany with $2.3 million, the United Kingdom with $2 million, and $1.9 million in Italy. As of April 13, 2009, the film has grossed $83,079,000 in the United States and Canada and an estimated $117,198,951 in other territories for a worldwide gross of $200,276,784. Anti-Scientology protests.